interview
"Weird noisy ambient spoken-word" with los esteroides
“Our voice is really the prettiest, no-cost instrument.”
interview
“Our voice is really the prettiest, no-cost instrument.”
interview
"This music is not just noise. It’s a document of a society and a person breaking apart."
interview
"It's almost like the cassette tape itself becomes an instrument within the process."
interview
"I was asking, 'What and where is the Black avant-garde?' CODE NOIR and BLACK NOISE were both answers."
interview
"Mostly, I have a decreased interest in having Marc With a C 'pass as normal - I'm weird. I accept that."
interview
"I have always felt like if you're going into live music trying to replicate the studio sound, then you failed. You don't understand what the medium of live music is for."
interview
I chat with Jordan from bsdj about connecting with artists all over the world, the futility of categorizing music by genre, and making your own merch.
interview
Midwest emo that feels like watching DBZ at your friend's house and pouring your heart out to them between episodes.
interview
“Maybe landlords are a different species, maybe it's all an actual horror movie.” Enjoy some “cruel useless music” with Tim de Reuse.
diy label of the month
"I love that 'Ohio Hardcore' is its own subgenre now. I have a lot of friends that make stuff that is more 'standard,' but my interest is in weirdo shit."
interview
"We're no stranger to pulling up to the venue and them getting mad at us when we explain what the setup is." Space Camp talk performing with two drum kits, recording hellish experimental trombone, and making music with impact train horns.
interview
Matt Miller talks about his one-man metal projects and explains how he adds a little Kyary Pamyu Pamyu into grindcore.